2015–16 Edgewood College Theatre Season

Click to view the Edgewood College campus map and directions to The Diane Ballweg Theatre.



Woods of Weaver

by Ulrike Rosser
directed by Audrey Wax

The Stream, Diane Ballweg Theatre

  • Friday, Sept 18—7:30 p.m.
  • Saturday, Sept 19—7:30 p.m.
  • Friday, Sept 26—7:30 p.m.
  • Saturday, Sept 26—2:00 & 7:30 p.m.

Holly Grace returns home to a discarded prince charming, a family of Southern civil war reenactors, and the open grave of her dead father in this new work of surviving abuse and finding redemption.

Woods of Weaver was written by Ulrike Rosser in 2007 and has undergone many revisions.  In what can only be described as a varied life, Ulrike Rosser has been a data entry clerk, a professional tour guide, a public speaking instructor, a clerk at Barnes and Noble, a fitness instructor, and a financial aid director. She has a MFA from the University of Idaho in Dramatic Writing, and a BA in English Literature, with an Acting Minor from the University of Colorado, Colorado Springs. Originally interested in training as an actress, Ulrike discovered that  she truly enjoyed blending her love of acting and fiction writing into playwriting, and into crafting theatre as an alchemist would—from bits and pieces, dark liquids and desperate souls. Past productions of her plays include   Waning MoonThe Myth of Maria the Virgin, and Crossed Stars. Published short stories include Nineteen Years Oldand Everybody Knows the Best Dope Grows in Tijuana. Currently Ulrike resides in Columbus, Ohio, where she is the parent of one teenager and two cats, and is working on her newest play.



The Crucible

by Arthur Miller
directed by Jeanne Leep

The Stream, Diane Ballweg Theatre

  • Friday, Nov 13—7:30 p.m.
  • Saturday, Nov 14—7:30 p.m.
  • Thursday, Nov 19—7:30 p.m.
  • Friday, Nov 20-7:30pm
  • Saturday, Nov 21—2:00 & 7:30 p.m.

Winner of the Tony Award for Best Play. This exciting drama about the Puritan purge of witchcraft in old Salem is both a gripping historical play and a timely parable of our contemporary society.

The story focuses upon a young farmer, his wife, and a young servant-girl who maliciously causes the wife's arrest for witchcraft, and is all based on the real Salem witch trials, while cleverly drawing parallels to Miller’s own time, as he wrote the play as an allegory to the communist witch hunts of the McCarthy era.
Next year’s highlighted value for Edgewood College is community.   This play looks at community when everything goes wrong—when it is in crisis and everyone seems to make the wrong choices, to believe the wrong people. Those who stand up for truth and justice are punished, and those who fear more for their own reputation in the community or for personal gain and desire tear the entire community apart.    
This is a less celebratory way to look at community, but it is absolutely about the value of community and how it can fall apart when the other values that we have at Edgewood are not fostered as well, like truth and justice.  They all have to work together.
It is exceptionally well written, has many ties to the historical time it is set and written.  It has a Wisconsin tie with McCarthy (like it or not), and it talks about standing up for what is right in the face of adversity.  Sadly, the modern witch hunt continues, and there is still much to discuss on this very relevant topic.
This play also looks at identity—the one we have privately and the one we have publicly. As students begin to explore the question of who they are and who they want to become, this play offers them questions to explore about how we behave for different segments of the community in our lives.



The Caucasian Chalk Circle

by Berthold Brecht
directed by David Frank

The Stream, Diane Ballweg Theatre

  • Friday, Feb 26—7:30 p.m.
  • Saturday, Feb 27—7:30 p.m.
  • Friday, Mar 4—7:30 p.m.
  • Saturday, Mar 5—2:00 & 7:30 p.m.

Brecht,  the 20the century master of the dramatic form, tells the tale of Grusha, a lowly kitchen maid, who is only trying to stay out the way during a dangerous revolution, yet aids a baby abandoned by the Governor’s wife who has fled to save her own skin.  Rough-hewn justice and the chalk circle test bring the play to a sharply provocative and deeply satisfying conclusion.



Clue: The Musical

by Tom Chiodo, Peter DePietro, Wayne Barker, Galen Blum, Vinnie Martucci
director by  Phil Martin

The Stream, Diane Ballweg Theatre

  • Friday, April 22—7:30 p.m.
  • Saturday, April 23-7:30pm
  • Friday, April 29—7:30 p.m.
  • Saturday, April 30—2:00 & 7:30 p.m.

Based on the classic board game, a musical mystery where the audience is included in the outcome!

The internationally popular game is now a fun filled musical which brings the world's best known suspects to life and invites the audience to help solve the mystery: who killed Mr. Boddy, in what room and with what weapon. The audience receives forms to help them deduce the solution from clues given throughout the fun filled evening. Three audience members choose from cards representing the potential murderers, weapons and rooms; there are 216 possible solutions! Only one hardnosed female detective is qualified to unravel the merry mayhem. Comic antics, witty lyrics and a beguiling score carry the investigation from room to room. Even after the culprit confesses, a surprise twist delights the audience. This colorful crowd pleaser was devised by the authors of Murder at Rutherford House and other popular interactive entertainments.


Theatre for Young Audiences

Theatre for Young Audiences Production, written by the TFYA class

Avatars Unleashed-Our Vitual Selves

directed by Susan Nanning Sorenson

Anderson Auditorium in the Predolin Building
Tuesday, May 3th @ 2pm and 7 pm

Ticket Prices—FREE

Who are our Avatars?  Why and how do we create them and live through them?  Exploring our alternate realities in cyberspace and the Avatars we have created to inhabit them.

An in-depth exploration of the virtual selves we create and inhabit in cyberspace; from Facebook to blogging, tweeting, wiki-ing, and gaming, we will research the how’s where’s and why’s of the Avatars we create. Looking at the impact of the un-real “realities” of our virtual selves, we will consider the future of social interaction in our very real world.